I felt like I needed to clarify some things before we could continue any more conversations on this godforsaken website.
I’m very proud of the European Robin, I think I really captured it.
ALSO A DADDY LONG LEGS is different in the UK vs USA. I learned that by arguing with some Brits because they said there was a daddy long legs on the wall, i looked and only saw an insect, argued with them all for 45 minutes until we all looked it up and saw that we were both correct.
British badger: jovial fellow, eats toast and jam. Might invite you in for a cuppa with the Mrs. Agricultural nuisance.
American badger: pallas cat of a wolverine. Very defensive. Fuck immediately off.
Bonus African badger: Silverback gorilla of mustelids. Should be a cryptid. Bro, don’t even. You are nothing to him.
I love it when you can pick up an animator’s quirks.
I’ve read in old interviews with Milt Khal’s fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldn’t go. Not only are they all doing the swaggle you’ll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesn’t work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes. Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isn’t his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.
A remarkable Jacobean re-emergence after 200 years of yellowing varnish Courtesy Philip Mould
PAINT RESTORATION OF MESMERIZING
I saw this on Twitter. He’s using acetone, but a cellulose ether has been added to make it into a gel (probably Klucel—this entire gel mixture is sometimes just called Klucel by restorers, but Klucel is specifically the stuff that makes the gel).
Normally, acetone is too volatile for restoration, but when it’s a gel, it becomes very stable and a) stays on top of the porous surface of the painting, and b) won’t evaporate. So it can eat up the varnish.
It looks scary, but acetone has no effect on oils, and jelly acetone is even less interactive with the surface of the paint or canvas.
Will someone PLEASE clean the mona lisa
For those who are wondering, they cleaned a copy of the Mona Lisa made by one of Da Vinchi’s students, and here’s a side by side comparison: